Robert Redford, the dashing actor and Oscar-winning director who eschewed his status as a Hollywood leading man to champion causes close to his heart, has died at eighty-nine, according to his publicist Cindi Berger.

He passed away on September sixteenth, two thousand twenty-five, at his home at Sundance in the mountains of Utah—the place he loved, surrounded by those he loved.

The family requests privacy.

Known for his starring roles in “Butch Cassidy and the Sundance Kid” and “All the President’s Men,” Redford also directed award-winning films such as “Ordinary People” and “A River Runs Through It”.

His passion for the art of filmmaking led to his creation of the Sundance Institute, a nonprofit that supports independent film and theater and is known for its annual Sundance Film Festival.

Redford was also a dedicated environmentalist, moving to Utah in nineteen sixty-one and leading efforts to preserve the natural landscape of the state and the American West.

He acted well into his later years, reuniting with Jane Fonda in the two thousand seventeen Netflix film “Our Souls at Night”.

The following year, he starred in “The Old Man & the Gun” at age eighty-two, a film he said would be his last—although he said he would not consider retiring.

“To me, retirement means stopping something or quitting something,” he told CBS Sunday Morning in two thousand eighteen.

“There’s this life to lead, why not live it as much as you can as long as you can?”

In October two thousand twenty, Redford voiced his concern about the lack of focus on climate change in the midst of devastating wildfires in the western United States, in an opinion piece he wrote.

That same month, his fifty-eight-year-old son died from cancer.

David James Redford—the third of four children born to Robert Redford and former wife Lola Van Wagenen—had followed in his father’s footsteps as an activist, filmmaker and philanthropist.

Born in Santa Monica, California, near Los Angeles, in nineteen thirty-six, Redford’s father worked long hours as a milkman and an accountant, later moving the family to a larger home in nearby Van Nuys.

“I didn’t see him much,” Redford recalled of his father, on Inside the Actor’s Studio in two thousand five.

Because his family couldn’t afford a babysitter, Redford spent hours in the children’s section at the local library where he became fascinated with books on Greek and Roman mythology.

Yet Redford was hardly a model student.

“I had no patience.

I was not inspired,” Redford recalled.

“It was more interesting to me to mess around and to adventure beyond the parameters that I was growing up in”.

Drawn to arts and sports—and a life outside of sprawling Los Angeles—Redford earned a scholarship to play baseball at the University of Colorado at Boulder in nineteen fifty-five.

That same year, his mother died.

“She was very young, she wasn’t even forty,” he said.

Redford said his mother was “always very supportive (of my career)”—more so than his dad.

“My father came of age during the Depression and he was afraid to take chances.

so he wanted the straight and narrow path for me, which I was just not meant to be on,” he said.

“My mother, no matter what I did, she was always forgiving and supportive and felt that I could do anything.

“When I left and went to Colorado and she died, I realized I never had a chance to thank her”.

Redford soon turned to drinking, lost his scholarship and eventually was asked to leave the university.

He worked as a “roustabout” for the Standard Oil Company and saved his earnings to continue his art studies in Europe.

“(I) lived hand to mouth, but that was fine,” Redford said of his time in Europe.

“I wanted that adventure.

I wanted the experience of seeing what other cultures were like”.

When he returned to the US, Redford began studying theater at the American Academy of Dramatic Arts in New York City.

Shy and closed off, Redford said he didn’t fit in with the other drama students who were eager to show off their acting skills.

After a performance in front of his class with a fellow student that ended in frustration and disaster, Redford said his teacher pulled him aside and encouraged him to stick with acting.

In nineteen fifty-nine, Redford graduated from the academy and got his first acting role on an episode of “Perry Mason”.

His acting career was “uphill from there,” he said.

His big acting break came in nineteen sixty-three, when he starred in Neil Simon’s “Barefoot in the Park” on Broadway—a role he would later reprise on the big screen with Jane Fonda.

Around this time, Redford married Lola Van Wagenen and started a family.

His first child, Scott, died from sudden infant death syndrome just a few months after his birth in nineteen fifty-nine.

Shauna was born in nineteen sixty, David in nineteen sixty-two, and Amy in nineteen seventy.

As his acting career was taking off, Redford and his family moved to Utah in nineteen sixty-one where he bought two acres of land for just five hundred dollars and built a cabin himself.

“I discovered how important nature was in my life, and I wanted to be where nature was extreme and where I thought it could maybe be everlasting,” he told them.

Redford made a name for himself as a leading man in nineteen sixty-nine when he starred opposite Paul Newman in “Butch Cassidy and the Sundance Kid”.

The Western about a pair of outlaws won four Academy Awards.

Redford said he “will forever be indebted” to Newman, whom he credited with helping him get the role.

The two actors had great on-screen chemistry, became lifelong friends and reunited in “The Sting” in nineteen seventy-three, which won the Academy Award for Best Picture.

Redford starred in a string of hit movies throughout the nineteen seventies: “Jeremiah Johnson”; “The Way We Were,” co-starring Barbra Streisand; “The Great Gatsby”; and with Dustin Hoffman in “All The President’s Men,” about the Watergate scandal.

Teaming up with director Sydney Pollack on “Jeremiah Johnson,” Redford fought with the studio to get the film made the way he wanted—a precursor to his career as a director and his support for independent filmmaking.

“It was a battle from the get-go,” Redford said.

“They.

said.

‘You’ve got four million dollars, put it in the bank in Salt Lake City, you can shoot wherever you want, but that’s it.

If it goes over, it comes out of your hide.’”

With spare dialogue and stunning scenery, the film tells the story of a Mexican War veteran who has left the battlefield to survive as a trapper in the American West.

It was released more than three years after it was made because, according to Redford, the studio’s sales chief thought the film was “so unusual” that it wouldn’t find an audience.

“Jeremiah Johnson” ended up grossing nearly forty-five million dollars.

It wasn’t the only time Redford’s passion for the art of filmmaking put him at odds with the studios that funded his work.

The sad thing you have to work against, as a filmmaker, is held opinions about what works or doesn’t work,” Redford said.

“Sports movies don’t work, political movies don’t work, movies about the press don’t work – so I’ve done three of them.

Redford made his directing debut in nineteen eighty with “Ordinary People,” a drama about an unhappy suburban family which earned the Academy Award for Best Picture and another one for him as Best Director.

He continued starring in hit films such as “The Natural” in nineteen eighty-four, which tapped into his passion for baseball, and nineteen ninety-three’s “An Indecent Proposal,” which paired him with a much younger Demi Moore.

He later directed the nineteen ninety-three film “A River Runs Through It,” which won three Academy Awards, nineteen ninety-four’s “Quiz Show” and “The Horse Whisperer” in nineteen ninety-eight, which he also starred in.